“Wood was one of the first sculpture mediums and is still chosen for its form, texture and warmth. Robbins’ appreciation of the innate beauty of wood helps him design pieces that maximize the beauty and grace of both the medium and the subject. He chooses from a variety of native and exotic woods. By selecting a wood that complements his subject, a synergy results that informs and guides his creative process. For finishes, Robbins uses various combinations of oils and waxes to give the sculpture that “almost wet” look as well as a feeling that is silky-smooth to touch. He welcomes admirers to touch his creations so they can experience the full sensual awareness of his art.”

“’ representational style depicts the natural grace and beauty of the creatures he loves. Sculpture sizes range from two inches to four feet, in both wall mounts and freestanding compositions. Each sculpture is unique and identified for its species, numbered, dated and signed by the artist. Robbins’ work currently graces homes, boats, galleries and collections around the world. The sea’s breathtaking beauty and its infinite varieties of flora and fauna are constant reminders that we must respect and help sustain the lifeblood of our planet.Through his teaching and art, Wayne Robbins creatively seeks to share his passion for the sea and to inspire faithful stewardship of the Earth’s fragile ecosystem.”

​William A. Hill
•He was an artist who loved to paint New England landscapes
•Although he was a student of Lester Stevens for a short period, William Hill was primarily a self-taught artist

Robert D. Parks
•Executive Vice President of the Howard Johnson Company, which operates restaurants and hotels
•President of the National Restaurant Association

Gerald S. Wheeler
•He was the supervisor of the White Mountain National Forest

​Edwin J. Haskell
•Edwin J. Haskell was the general manager of the Haskell Silk Mill in Westbrook, a manufacturing firm founded by his father, James Haskell.

Charles E. Oak is most likely in this picture of the QTV brothers in front of the house in 1876
•State land agent in Maine from 1891-1900
•He organized and managed the American Reality Company, the Miramachi Lumber Company, and other interests of the International Paper Company
•He was director of the Bangor & Aroostook Railroad Company, and later the general manger of the New Brunswick Railway

​Douglas J. Wishart
•He was director of employee relations for Republic Aviation Corporation

Frederick F. Marston
•Vice president of Indiana Bell Telephone

Chauncey S. Robinson
•Executive of the Boston and Maine Railroad

Eugene G. Day
•Chief Engineer of the Lake Superior and Ishpeming Railroad

Fraternally,

Chip Chapman, 1982
​
Perge!

“Even when our trust is heavily placed in them, reasoning and education cannot easily prove powerful enough to bring us actually to anything unless we train to form our Soul by experience for the course on which we would set her; if we do not, when the time comes for action she will undoubtedly find herself impeded.”
Michel De Montaigne

Clyde H. Merrill

• He was a physician for 37 years in California

 
John H. Bixby

• Civil engineer
• Responsible for designing the railroad trackage for the efficient handling of coal and iron ore around Lake Erie. 

Burton W. Goodwin

• State Representative in Maine

 
John P. Deering

• State Representative and Senator in Maine

​Lester A. Mitchell

• Worked for the Bureau of Reclamation of the United States Interior Department
• He was manager of the Yellowstone and Shoshone projects, and he was responsible for the homestead settlements in both areas

Fraternally,
 
Chip Chapman, 1982

Perge!